Water Spirits
Water Spirits
Alicia Kester (she/her) is a Black, mixed-race playwright, poet, fiction writer, and filmmaker. She draws on both her Yoruba and Louisiana Creole heritages, as well as her queer, disabled, and first-generation identities to address themes of migration, familial constructs, tribalism, environmentalism, the physical and/or racialized body, and current events. She often explores speculative genres, infusing magical realism, absurdism, or futurism within her writing. In 2021 she completed a residency with the CPH Queer Theatre Festival, where she wrote two short plays that were produced in Denmark. She has also completed residency programs with 3Girls Theatre and Monson Arts and has an upcoming residency with The Hambidge Center. She was a semifinalist for the Garry Marshall Theatre New Works Festival and the Eugene O’Neill Playwrights Conference. She is a former VONA scholar and a recipient of grant funding from the Center for Cultural Innovation, among others.
In loving memory
July 23, 1978–December 25, 2023
**Elizabeth Carter (she/her) is a longtime SF Bay Area theatremaker. Most recently she directed Wolf Play for Shotgun Players. Her recent regional directing credits include Confederates (St. Louis Rep), Steel Magnolias (TheatreWorks Silicon Valley), and past productions Every 28 Hours Plays and A Place To Belong (A.C.T Conservatory), Stoop Stories (Aurora Theatre Co.) and associate director on the ripple the wave that carried me home (Berkeley Rep/Goodman Theatre) and assistant director How I Learned What I Learned (Oregon Shakespeare Festival). She directed the ground breaking 2020 virtual King Lear, (SF Shakespeare Festival), Feel the Spirit (Shotgun Players/Colt Couer NYC). Her directorial film debut Bottled Spirits will be seen this fall at the London Pan African Film Festival. She is a recipient of the Bridging the Gap Grant and is a 2019 alum of Director’s Lab West. Elizabeth was the inaugural SDCF Lloyd Richards New Futures Resident Director at the Oregon Shakespeare Festival and a current 2023 Lucas Arts Fellow.
Cat Brooks (she/her) has been moving across stages and screens for 30 years. She’s the co-founder of the Anti Police-Terror Project whose mission is to eradicate police terror in communities of color. APTP is a pioneer in developing alternative response models to community crises and runs Mental Health First – Oakland/Sacramento’s only abolitionist non 9-1-1 response to community crisis. Cat trained at the Royal National Theater Studio in London. Notable roles include Lady Macbeth at the Edinburgh Fringe Festival in Scotland, Ruth in Raisin in the Sun and starring in her one-woman show ‘Tasha, about the in-custody murder of Natasha McKenna. Brooks has been nominated Best Featured Actress by the Bay Area Theater Circle Critics and ‘Tasha won Best of The SF Fringe in 2017. Brooks hosts Law & Disorder on KPFA and is a resident playwright and actress with The Lower Bottom Playaz in Oakland and 3Girls Theatre in San Francisco.
Smiley (she/her) is a native AfroFranciscan currently obtaining her PhD from the Graduate Theological Union and in love with supporting new plays and new writers. Her most recent theatre experience was the world premiere of her full-length original play, Dirty White Teslas Make Me Sad at the Magic Theatre.